SEQUELS are bad clones of an original movie, with few exceptions. As a general rule of thumb, if a film title is followed by a “2” and a “:”, like Babe 2: You’re Bacon, run a mile. Which is what most sensible Americans did this week on hearing that two film companies want to make a sequel to It’s a Wonderful Life, the 1946 Frank Capra classic that’s been a Christmas season favourite ever since.
In the kitchen, pink is what you want in your lamb or beef, not pork or chicken. Pink is what you get if you include beetroot in a pan of vegetables and roast them. Everything else from the potatoes and onions to the carrots and courgettes will have turned a luscious crimson. It’s a worthwhile effect, and needs no fake food colouring.
I enjoy single-malt whisky as much as I don’t enjoy being pushed off the road, and I am prepared to attempt to drink BMW drivers under the counter any day, just as long as it is on their tab. Having said that, obviously I would be ineligible to drink in the hallowed portals of a Beamer Lodge.
Yes, ladies and gentlemen, after decades of research and years of trials, the manufacturers of whites, blacks, coloureds, coconuts, Indians, plurals, tricamerals, old-style liberals, diehard Nats, Oranians, black diamonds — basically of anyone you know or have ever known — have invented a whole new race which, with immediate effect, replaces all races that have gone before, rendering them null and void.
Should anybody under 25 be reading this, here is the lesson you should of been taught at school, using the title’ve a famous song from My Fair Lady, which as you know came out a year or so before that other great musical, The Sound Have Music.
There’s a white gown and silly white towelling slippers in the locker. I change into them, feeling as foolish as an Earthling who has strolled into an experimental chamber on Battlestar Gallactica by mistake. One wrong move and humanoids will come in, tie me up and inject me with something luminous green that turns me into jelly. I am very grumpy and ready to run.
It’s all Alice’s fault, apparently, or maybe Humpty Dumpty’s. More correctly, we can blame Lewis Carroll, who in Through The Looking Glass, and What Alice Found There (150 years ago, in 1872) invented the notion of a portmanteau, which in recent years has sprung into fashionability with the hybridisation of the names of Hollywood stars.